Om Namah Shivaya

Om Namah Shivaya

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Showing posts with label Apparao Gallery. Show all posts
Showing posts with label Apparao Gallery. Show all posts

May 17, 2016

Songs of the Mist Book Reading at Leela Palace Hotel (Chennai)

An Evening of Art, Music and Writing
Swetha Sriram - Disciple of Bombay Jayashree opens the evening
with her devotional songs
Leela Palace Hotel and Perspectives along with Apparao Gallery created an evening of “Art, Music and Writing”, on 14th May, 2016. In the program, I was invited to give my readers an interactive experience to my book "Songs of the Mist" - a reading of the Book, accompanied by the music of Swetha Sriram (Vocal), Vittal Rangan (Violin) and Thanjavur Praveen (Mridangam).
The attentive audience

The event was hosted by untiring host Sindhiya from Apparao Gallery, which also included unveiling of the cover page of my coffee table book.
Hostess Sindhiya of Apparao Gallery

In the cross disciplinary evening of Art, Music and Writing my good friend Timeri N Murari - author of 14 books including 'The Taj' as well as writer producer of the feature film 'The Square Circle' introduced my book 'Songs of the Mist', after which we were all transported to the exquisite realm of karnatic music, rendering the Leela Palace Galleria with devotion and melody. The ambience was highlighted by the surreal display of landscapes and soft hues of mist and natural earth colors by the artists - N Sriram (Chennai) and Bhavana (Mumbai)

Timeri N Murari - Introducing my book "Songs of the Mist"

Essence of the Divine Song
The Essence of Divine Song - Cover Painting
by Keshav Sir

This coffee table book has all the 9 songs of the Monk from my book "Songs of the Mist" as well as some of the Haiku and thoughts from the book. The book's cover page is by famous cartoonist of Hindu, Mr. Keshav -one of the finest Krishna Bhakta, I have come across in Chennai. The book is conceptualized by Krishan Kumar Sharma, which includes Photographs by Goutam Chakraborty, Suresh Thommandram and some of my pictures as well.

The team and some of the images from the book...

Here are some of the pictures from the evening…

The invites...

Some of the readers... 
And the people...
Selfie Time...

The Chennai Bloggers and the Family Gang

Media Blitz for the event...
Slides from my presentation... My experience in Himalayas
over the decades...

The book reading slides...


__
Shashi 
ॐ नमः शिवाय
Om Namah Shivaya


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Songs of the Mist - Back to the root

Apr 20, 2016

Chennai Colors: Dr. Chithra Madhavan and 9 tips on writing about Temple Architecture and Heritage buildings

Chennai Colors V: A series about amazing and creative people of Chennai.

Dr. Chithra Madhavan - A Leading heritage historian and Authority on Temple Architecture & Heritage from Chennai adds to the colors of Chennai by revealing ancient sculptures and uncovering amazing stories found hidden in the sanctum sanatoriums of popular as well as lost Indian heritage sites.
 
Dr. Chithra Madhavan (Picture Curtsy FB)
For years, I have been attending Dr. Chithra Madhavan’s lectures due to my passion for spirituality and architecture. Recently, in the popular series ‘Writing about Arts’ curated by Apparao Gallery, Dr. Chitra Madhavan explained how to look at ancient sites and write. It was an eye opener for dozens of enthusiast like me as well as journalists and writers / bloggers, who attended the lecture. I must congratulate the Sharan Apparao of Apparao Gallery, who has conceptualised the lecture series, for consistently brining out amazing 'Chennai Outreach' programs with great speakers like Dr. Chithra Madhavan.

In this post of the series -Chennai Colors, I am featuring Dr. Chithra Madhavan, who by her sheer passion and expertise in detailing the history of temple architecture and heritage, constitutes the beautiful and rich shades of Chennai. I am happy that there are influencers like her, who have the safety and security of our ancient heritage and culture foremost in their mind. There are many online lectures of her talking about the same, so here in this post I am focusing on her capacity as a trainer/speaker, imparting essential knowledge and tools to appreciate the beauty and the rich history behind our ancient Temples. But before I take you through the number of points that she made in the learning session, here is a brief introduction about her.

Dr. Chithra Madhavan and Sharan Apparao at Hindu Lit Festival

Dr. Chithra Madhavan has a Ph.D. in Ancient History and Archaeology from the University of Mysore. She is the recipient of two Post-Doctoral Fellowships, author of seven books and several research articles. She frequently delivers public lectures on temple architecture, sculpture and inscriptions and leads heritage walks in Chennai. Chithra is guest-faculty at several institutions including Kalakshetra Foundation.

Now lets get back to her lecture on “Writing about Temple Architecture and Heritage” as Dr. Chithra Madhavan started with the basic things. 

1) In any kind of report about any specific place, art, dance or Music, the first thing is to keep audience in mind.

2) Read some background on the temple and structure etc. so that you will be able to relate to the things that you are seeing and know the historical back ground.  

3) And the last thing to remember in writing a book or an article, never write in hurry

4) If you are visiting a temple and want to write about its rich heritage and exquisite sculptures, start with the main deity as temples are essentially about God. Notice the specific deviations from the usual practice like the black mark on the forehead of Ranganatha, in Sri Ranganatha Temple, which is Kasthuri hence it is also called Kasthuri Ranganatha. A very important thing to remember is that you write what you notice immediately, preferably within the temple as you will not be able to remember everything later. Dr. Madhavan said that this important thing she learned the hard way. She remembers calling the temple priest after the visit, trying to find that one particular thing that she had noticed in the temple and it was a hard task to find that out again.
Madurai Meenakshi East Gopuram @ Shashi 2002

5) Dr. Chithra Madhavan cautioned against writing anything about a temple, architectural heritage sites etc. without visiting the place you are going to write about. Please don’t Google for information. If you need some background information on the subject you are writing, please check the libraries. She suggested that, ‘In case of Temple architecture and heritage,’ Theosophical society is the best library in Chennai.

6) Capture the flavor of the place, talk to the local people and ask them about the temple or the place. They can give you a humane story or interesting anecdotes. All sculptures are reflection of times.

7) Notice the detailing of the sculptures, structures that is the beauty of Indian Temples. While visiting Museums, read the plaque under the sculpture to know where it comes from. It will give you more understanding of its story and history.

8) Know the traditions of the temple. In every temple there’s a unique ritual. Find the same for flavor e.g. Pancha Vadya, Nalayira Divya Prabandham. Every temple has its Religious, Historical and Architectural perspective.

Finally after 2 hours of engrossing talk with beautiful pictures and lovely presentation, she went on to talk about something that has been very close to her heart i.e. upkeep of the heritage sites and its gradual destruction in name of progress and renovation.


9) She requested all of us to notice and write about the damages, shabby restoration efforts or renovations of such rich places that are treasure house of our culture and tradition.

Leaving you with a wonderful talk Dr. Chithra Madhavan gave at TEDx IIM Shilong..






Hope you have enjoyed this series of Chennai Colors...

__
Shashi 
ॐ नमः शिवाय
Om Namah Shivaya

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Chennai Colors: Anita Ratnam            Key to South Indian Sculpture - Vijay Kumar

Aug 25, 2015

CHENNAI COLORS IV: Inculcate passionate-curiosity to write about art - Dr. Anita Ratnam

 Colour of Chennai is somewhere between red and orange...
(This series is about amazing and creative people of Chennai....)

A refreshing early morning chat with Dr. Anita Ratnam, a highly respected performer, writer, speaker and arts entrepreneur and culture mentor, set the tone of this edition of Chennai Colors, as she picked the color ‘Arakk-Munjal’ – a hue somewhere between ‘Vermillion and Mango Orange’ as the color of Chennai. The spiritual significance of turmeric and vermillion as auspicious, full of reverence and passion is the color of Chennai and I couldn’t agree more as having witnessed, first hand for 2 decades the beautiful temple festivals, the month long Marghazhi cultural events and the fan frenzy for music, theater and movie stars.
It was a pleasure to talk to her, arranged by Ms. Pallavi Gandhi of “Apparao Gallery” which is presenting a lovely series of lectures on “Writing For The Arts”. The series have been conceptualized with an objective to create a group of writers who will support the art, culture and heritage of the country in writing platforms available currently.


The first lecture on the series is by Dr Anita Ratnam on ‘Writing to Promote, Present and Market the Arts’.

Date and Time: 29th Aug, 2015 from 2PM to 5PM
Venue: Apparao Gallery, KNK Road, Nungambakkam, Chennai.
Registration Required to attend
Email: events@apparaoart.com or gallery@apparaoart.com )
____________
A Brief Note...
Anita Ratnam - Classical and contemporary dancer and choreographer

Dr Anita R Ratnam, based in Chennai (Madras), India, is highly respected as a performer, writer, speaker and arts entrepreneur and culture mentor.  She has been described as an "intersectionist", whose work weaves the many disciplines of dance, theatre, spoken word, ritual, archaeology, dramaturgy and women's issues. For over 40 years, her distinguished career has witnessed over 1300 performances in 37 countries. Her formal training in Bharatanatyam, Mohiniattam and Kathakali has given Dr Ratnam a distinctive movement vocabulary that she has named NEO BHARATAM - a contemporary Indian kinetic situated on a mature body. Using voice, singing, Vedic hymns, drumming, contemporary mythology and devised movements, her acclaimed choreographies include GAJAANANA, DAUGHTERS OF THE OCEAN, SEVEN GRACES, MA3KA, A MILLION SITAS and NEELAM.

Dr Ratnam's  background as a television producer in New York City (1980 to 1990) as well as her educational qualifications in Dance, History, Theatre and Women's Studies  (MA and Phd) have made her a popular speaker for diverse audiences.
Curtsy: Anita Ratnam, To read more, please click here…
_______

…and our discussion started with talking about her lecture and the present scenario of writing about Arts. She began with the basic theme of her lecture is writing about the Arts in general, focusing on visual aspect of art in terms of new writers.

“As a society, we do things that are told to us by peers, parents and guru’s. We lack deep engagement with performances that we go to, which do not help. We are groomed in the era of impossible youth and beauty through Movies, Shows and events etc. and do not go beyond that.” – Dr. Anita Ratnam
She says that it’s mostly the looks or what one is wearing impresses the novice in the field. But this ‘Body part syndrome’ as she called the fixation, does not help when we are watching an artist perform. We should go prepared for a performance. One should do a little homework on the background of the artist, the art and the particular performance to understand and appreciate it. In the age of Information and Google, it’s does not even take more than few minutes to do this. Some of the performances do not have the usual entertainment quotient of mega shows and film and star based events, so to do justice to such performances and the performing artists as well as to our own time, we need to have awareness about the art.
“The most important factor in writing about the Art, one has to have a ‘passionate-curiosity” – Dr. Anita Ratnam
For the new artists, performers, writers Dr. Ratnam feels that it is required that we understand our cultural heritage, our roots to understand the nuances of any performing arts and more importantly to enrich our lives. Her own formal training in classical dance forms has helped to bring in new dimension, flow and energy into her productions and performances.

She feels that the new writer should read, read a lot. Get in touch with our heritage and culture as it stretches our imagination. The blockbuster Movies like Bahubali has taken their inspirations from heritage; epics like Mahabharata and Ramayana will never fail to fire up your imaginations. Even Jataka tales, Amar Chitra Katha will give you something to ponder and think about, to work on, to perform. The sense of humor is one aspect that is missing from stage performances and one can very well find it in these stories and be inspired.

Image @ AnitaRatnam.com
Another source of learning and inspiration cultural reviews and reports on the dance performances, by important foreign publications, see how they are expressed and what makes them beautiful and great in the reviewer’s opinion.

As we moved on to talk about the way people in the western countries discus and promote artists through documentaries, movies etc., she felt that the Artist in India has to become human first. Most of the people show and want to show their perfect side not the ‘chipped – nail – polish’ side. An artist has to expose their vulnerable side to make a worthwhile film or documentary, which does not happen in India. Secondly there is no market for these types of projects in India, so only few do it on their own, which is not sustainable.

“There are no movies or documentaries but hagiographies in India. There are great artists in India but lot of mediocrity too”. – Dr. Anita Ratnam

And then there is the other side, e.g. places like Chennai, which is home to excellent artists but only handful infrastructure available for performing arts in the city. Most of them do not even have necessary or sufficient equipments for a modern production.


This needs to change. Probably the lectures like the one I am going to give at Apparao Gallery, will get more and more people to start writing or talking about the artists and their performances, which will help to bring in the change.

Finally I leave you with an amazing performance from her latest production 'A Million Sitas', from youtube, curtsy Chella Vaithinathan.




Hope you have enjoyed this series of Chennai Colors, please do join in to hear her lecture at Apparao Gallery if you are in Chennai on 29th Aug, 2015.

__
Shashi 
ॐ नमः शिवाय
Om Namah Shivaya

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Anita Guha                                                          Chithra Madhavan

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