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Showing posts with label How To Write a Novel. Show all posts
Showing posts with label How To Write a Novel. Show all posts

Apr 24, 2016

ABOUT BOOKS: 10 Tips on the Art of Writing for New Authors

“Of all that is written, I love only what a person has written with his blood” - Nietzsche
“Can you avow that you would die if you were forbidden to write?” - Rainer Maria Rilke
 
A writer in Delhi @ Shashi 2015
Writing a book is an exhaustive and lonely struggle, which becomes painful in itself if you are not passionate about words and enjoy the stories it brings forth from the depths of your heart. Though I cannot claim to be an author, who has written with blood. I am also aware that I would not have died if I had not written my Spiritual Fiction Book 1 of The Monk Key series, “Songs of the Mist”, but yes there was a desperate need to share what I had within my heart and on my mind for decades. And yes, I enjoyed every minute of writing it too. The process of bringing the characters alive on a blank screen in the early morning every day for years became a kind of meditation. It uplifted me into a state of happiness, which was hard to find in the normal course of the day.  As I dwelled deeper within, thinking like the mysterious wandering Monk, the heart broken Ashutosh, Yogini Anishka, research scientist Ayan or the young Austrian architect Calliope, immersing in the characters over and over again, changed the way I used to think, write or interact with the people and world around me.

As I finish writing book-2 in “The Monk Key” series, I have realised that my perspectives about writing, life and living has completely changed. As I continued writing as an aspiring author, I learned many valuable lessons “About Books”, most of them the hard way. Sometime by trial and error, sometimes by wasting time on a red herring chase and most of the times losing weeks of efforts in writing for my perceived target audience / readers. These upcoming three posts “About Book” is my attempt to share those learning with my friends, readers and aspiring authors in order to save their valuable time in reinventing the wheel.

In this first part, I am sharing my thoughts on writing. What is writing all about and why or why not to write? What is the reason for a book to exists and what it should give the readers. If this posts inspires even one aspiring author to share his or her story out in the world, I will consider it to be a bigger success than the day my book “Songs of the Mist” achieved Amazon’s bestseller rank of #29 at Kindle store.

10 Tips on the Art of Writing for New Authors
This post is divided in three parts:
Why Write?
Why you should not write?
Thoughts on Writing a Book.

Introduction

Most of our thoughts begin from the physical world and manifest within, in sublime way. When we think of creating something, we should plunge deeper in that space, where all our profound thoughts, artistic impulses and deep feelings are stored and ease it out into the world with sensitivity, care and love. Everything, emotions, thoughts, feelings etc. that inspire us into creativity are sacred and should be put on a pedestal and eulogized. And to do that, the simplest way is to write about it to share, however mundane all that seems to you in the beginning.
 
ECR @ shashi 2015
Every one of us has a story to tell, but we get bogged down with self-doubts and inhibitions. But through the years of my own writing, I have realised that these are my friends in waiting. If one can continue to work besides them, one day we will find them to be more valuable than our successes, more so in case of failures. I have learned the hard way, by believing in self-doubts in the beginning that it usually builds a new life from scratch and if you happen to write despite those challenges, it makes you a far better person than you could have been without it.

TIP-1: Writing is not only a chance to explore oneself, overcome your inhibitions and self-doubts, it is also about becoming a better human being. It has been one of my major motivating factors to continue writing.

However, George Orwell once said that there are four great motives (in varying degrees) for writers, putting aside the need to earn a living.

(A) Sheer egoism - Desire to seem clever, to be talked about, to be remembered after death, to
get your own back on the grown-ups who snubbed you in childhood, etc. It is humbug to pretend this is not a motive, and a strong one.

(B) Aesthetic enthusiasm - Perception of beauty in the external world, or, on the other hand, in words and their right arrangement… the firmness of good prose or the rhythm of a good story. Desire to share an experience, which one feels is valuable and ought not to be missed.

(C) Historical impulse - Desire to see things as they are, to find out true facts and store them up for the use of posterity.

(D) Political purpose - Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after.

Now, here you should pause a little to think and list out what motivates you to write and to what extent.

Why write?

Any writing is a mirror of our soul, far clearer than what we portray while interacting with the world around us, obscuring clarity with dusty layers of our addiction to desires and needs. The only way we wipe of this obscuring dust, if we dare to write what we think in the utter loneliness that confronts us within our inner self.  While a book is mirror of our soul, writing is the brush that paints the image of who or what we are. So writing is not only a tool of creativity, it is also the light in the darkness within.
 
Thinking @ Triveni Ghat, Rishikesh - Shashi 2014
TIP-2: When your heart speaks, it is better to stop and listen. If those words reaches out to the deepest depths of your core and convey what lies within, you should write. If you are able to sustain that writing with no other voice of understanding other than what comes from within, you should write.

TIP-3: Sometimes a profound experience choses you, instead of you finding it on your own. Any feelings, pain or happiness that has its root in such kind of experiences has the potential to become a work of art, if only you are worthy of writing it down with compassion and clarity.

TIP-4: If you see writing as the torch of revelation on an unknown path, then probably you should be a writer and more importantly, if you don’t, you will die without knowing yourself. So write, rest is all lies.

Why you should not write?

Everything that exists is born out of struggle. The plants, as it break open the earth, a child that is born in a tearing hurry, a thought that escapes from the chaos of mind. But it is the writer within, the experiencer, who burns him or her self in the struggle, becoming a beacon of light. If you shy away from this self-immolation to illuminate the world around us, you can never be a writer in its true sense.
Goutam @ 2014

TIP-5: We are the only witness to things that breaks our heart, makes us blissful or throw us in dark corners of fear, rest all are readers. In order to convey true essence of these feelings to the readers, you will have to dive in the depths under the surface of storm. But if you can live without writing about things that you feel deeply, probably you should not.

TIP-6: The silence between thoughts is the place, where all writers should go with a pen in hand and awareness sharpened to its intuitive edge. This is where greatest work of art is created but it requires strong will and desire to remain submerged within its depth for creativity to emerge. If you don’t have the courage to bear this silence or the words to hear it, you should not write.

TIP-7: If you are more intelligent than the reader, writing is not for you.

Thoughts on Writing

The life happens and there is no way it is going to end up at the wrong place. It is you who does not bring it to its logical end. There is only one true way of living, which is being creative with what you have got to begin with. Writing is not about describing your experiences but it is about pointing your sense perception inwards and flower forth with words that have the colors of your soul.

Writing is an occupation to enlighten oneself first then only the readers. If a book is not giving you something to live for, to look up to beyond your existence, then it’s a waste of time and effort. Every book has to have a meaning, a reason for its existence. It has to have something that one can go back to after years of its dust collection and still remains fresh.
 
On the Varanasi Ghat @ Shashi 2010
TIP-8: Every writer should strive to release the reader from his or her day-to-day chaos of living life. It has to transport the reader out of the daily existence and give an excuse to be better than what he or she already is. A reader is always in search of deliverance.

TIP-9: Writing should not be confined to a set pattern, structure or style. It should be a journey, a way out of the maze where even you, as an author, are not aware of the end or that you have a set pattern to write in. Writing should be an exploration the self not conforming to others but only to your unique self - however thinking about and handholding your readers through the maze of your creation. If they are not able to get out in the first attempt, it is even better. They will try again; every good reader will try again.

TIP-10: When you write, leave things unexplained that gets reader to fill in the blanks themselves. Never think that they will not be able to work that out, even if most of them don’t, some will and those are the readers you should write for, write to. Hold their interest by kindling their inquisitiveness.

In the end, I would like to leave you with a thought…


“Most of us write to hear ourselves, but a good writer write to hear the silence of his or her reader, thinking. “ - TheMonkKey.com

My younger brother Animesh at Triveni Ghat, Rishikesh @ 2015


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Shashi 
ॐ नमः शिवाय
Om Namah Shivaya


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How to write a Novel - Milan Kundera                  10 Tips on Writing Haiku

Jun 28, 2013

THE READER: Family Happiness - Leo Tolstoy

An interesting story (Novella) that I recently read about life. A girl's desires and feelings, before and after marriage to a much older person so beautifully envisaged by Tolstoy. 

Interestingly, this is the first time Tolstoy narrated the story through the main character of the heroine (Masha), which apart from being very difficult for a male, as at the time, he was an young unmarried writer; goes on to show his uncanny ability to get under the skin of his characters.

His amazing description of young girls emotions, his take on the feelings of young and then matured person in the ways of the world of Russian Social life, before and after marriage, is great and to me, looks quite truthful.}

FamilyHappiness, published first time in 1859, like almost all the novels of Tolstoy has an autobiographical connection. Tolstoy (then 31 years old) met 20 year old Valerya Vladimirnova Arsenyeva in 1856, and fell in love. And as told to his biographer, he almost got engaged to her. Later as recollected by Valerya’s daughter in 1926, told to Mr. P Pavlov, that they actually parted company because Valerya refused to accept the conditions which Tolstoy attached to his proposal of marriage: 20 years’ quiet seclusion in the country. 

Though never married, it seems Tolstoy wrote ‘Family Happiness’ – which is about marriage, to prove to himself that their marriage would not have been successful. While he was writing it, he was most enthusiastic about it and described it as a poem, but when he had finished it, he was reluctant to have it published as he disliked it intensely.

Brief Note About The Author
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Since Leo Tolstoy is quite well known, I will skip the usual biodata of the author (Toread it at Wikipedia, click here) but will reproduce something that caught my eyes…

Countess Tolstoy writes about Leo Tolstoy
In 1909, writing of “Who are the murderers?” Countess Tolstoy wrote, “…it could be interesting. But the same old reproach – descriptions of peasant life. His relish at a woman’s full bosom and a girl’s sun burnt legs, all that once so strongly tempted him; … “
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BACK TO THE BOOK...
Now here are some of the thoughts I enjoyed reading from the book…

He (Sergy) was right when he said that there was only one happiness in life – to live for others. (Masha)

“A man can say that he is in love, but a woman cannot.” She (Katya) said. “But I don’t think a man should say he loves someone, either; nor can he,” he (Sergy) said. “Why not,” I (Masha) asked. “Because it always be a lie. Is there really anything, new in the fact that a man loves someone? As if, as soon as he says it, something clicks, bang – he is in love. It is as if, as soon as he pronounces this word, something extraordinary must happen, there should be some omen, all the trumpets should sound at once. It seems to me, “he continued, “that people who solemnly pronounce the words: ‘I love you’ either deceive themselves or, even worse, deceive others.”

It was as if I was in a happy dream in which it seemed that everything in the future had already happened, and that I had known about it for a long time, and yet I felt that it would happen again, and I knew that it would happen. (Masha)

A quiet, secluded life in our country back water, with the possibility of doing good to people whom it is easy to do good to because they are not used to it; then work – work which one thinks is useful, then rest, nature, books, music, love for the person who is close to you – that’s my idea of happiness. (That is) For me, whose youth is over, that is, but not for you,” he went on. “You haven’t lived yet. You may want to look for happiness elsewhere perhaps, and perhaps it is elsewhere that you will find it…” (Sergy)

Can one really feel annoyed about anything, when one is as happy as I am? It is easier to yield than to impose one’s will… (Sergy)

Once I had experienced the happiness of falling in love with him, I could not rest content with affection. I wanted movement, not the calm flow of life. (Masha)

Worst of all, I felt that , with each day, the habits of live were moulding our life into a definite pattern, that our feeling was ceasing to be free and was being subjected to the even, passionless flow of time. (Masha)

I want to move forward, and every day, every hour I want something new, but he wants to stay still and to hold me back with him. (Masha)

My former religious ecstasy and the love I had once felt for him, the old fullness of life, now seemed so distant and impossible. I would not now have understood what had before seemed to me so obvious and right – the happiness of living for someone else. Why live for some else when there is no desire to live for oneself? (Masha)

Why did you let me have my freedom, which I did not know how to use? (Masha)


“There is season for every love…. When I first got to know you I spent sleepless nights thinking of you, and created my own love, and that love grew and grew in my heart, so, in Petersburg and abroad, I spent dreadful nights awake destroying, breaking up that love which tormented me.” (Sergy)
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Shashi
नमः शिवाय
Om Namah Shivaya
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How to write a book - Milan Kundera

Jun 8, 2013

27th Edition of Shadow Dancing With Mind

Welcome to the second edition of the year, 27th of the blog. It took a long time for me to compile this edition so it has a lot of interesting stuff. From the Lit festival to Sun Temple, from the tips on Writing Novels to Poetry. I have enjoyed creating this edition and hope you will also enjoy reading it.

This edition also marks the start of another Weekly Session, “Thoughts This Week” where the ideas and some exclusive Haiku are being shared, and posting the collective effort of poets to write Linked verses in Haiku Tea.

THOUGHTS THIS WEEK

THE READER
You will find in this links below some of the resources, and some of the books I have loved so much that I have written about it and given a gist of the thoughts that I have enjoyed reading.

WHISPERS - Some of my poetry

UP, CLOSE & PERSONAL - Some people I met, some action that happened.

STILL LIFE - Some of my images from my various journey's spiritual or otherwise

HAIKU TEA - A collective effort of writing linked verses by some of very interesting poets I have met in Google Plus Community - Haiku

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Hope you will enjoy this edition... look forward to your comments and visit to the next Edition... please click on the “Join this Site” button on the right hand side top corner to follow my posts on this blog... I will be grateful.
__________________
Shashi
नमः शिवाय
Om Namah Shivaya
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26th Edition

Apr 12, 2013

How To Write A Book? - A Serious Guide for Aspiring Authors


How to write novels and books…
I have read Milan Kundera’s (Czech Republic's most recognized living writer, who has lived in exile in France since 1975, who has been nominated numerous time for Noble Prize) most famous book ‘The Unbearable Lightness of Being’ almost two decades ago. And then recently I came across his two other books ‘Testament Betrayed’ and ‘TheArt of Novel’, which I have been reading last week. Interestingly, both the books were kind of a powerful DIY of ‘Novel Writing’ which gave me an idea to create a kind of Guide for “Writing novels” for the aspiring authors based on his selected thoughts from both the books.
Milan Kundera
Image Curtsy http://www.larepubblicadellelettere.it

I hope this will help and inspire serious writers and aspiring authors to reflect on their art of writing and help in creating a master piece.

ON WRITING BOOKS

What is a Novel?
 “A book is product of a self, other than the self we manifest in our habits, in our social life, in our vices. The writer’s true self is manifested in his books alone” - Proust

And Milan Kundera (MK) says in the Book - The book of Laughter and Forgetting, through one of his character, Banaka, “You know the novel is fruit of human illusion. The illusion of the power to understand others. But what do we know of one another? …all anyone can do is give a report on oneself… anything else is a lie”

“…every one dreams of writing a book to tell about his unique and inimitable self,… no one listens to any one else, everyone writes, and each of them writes the way rock is danced to: alone, for himself, focused on himself yet making the same motions as all the others”.

Click here to read more...
But somehow I tend to agree more with MK’s thought from his book ‘The Unbearable Lightness of Being’ that the novel is not the author’s confession; it is an investigation of human life in the trap the world has become. As MK says that a novel is often nothing but a long quest for some elusive definitions, which for some reason I believe is what an aspiring author is searching for, if not an established writer. 

According to a well known metaphor, the novelist demolishes the house of his life and uses its bricks to construct another house: that of his novel. And the aspiring author has this junoon (Passion) to do that over and over again, through each one of their attempts to share their dream house. Though, as MK relates in Testament Betrayed, “…every one dreams of writing a book to tell about his unique and inimitable self,… no one listens to anyone else, everyone writes, and each of them writes the way rock (music) is danced to: alone, for himself, focused on himself yet making the same motions as all the others”

How To Write A Novel?
MK advises that the composition (the architectural organization of work) should not be seen as some pre-existent matrix, loaned to an author for him to fill out with invention; the composition should itself be an invention, an invention that engages all the author’s originality. The novel “Life Is Elsewhere” was begun with this working hypothesis, a definition I (MK) set down in my notebook: “The poet is a young man whose mother leads him to display himself to a world he cannot enter.”

Click here to read more..
(Nowadays) novel is too much weighed down by technique”, by the conventions that do the author’s work for him: present a character, describe a milieu, bring the action into a historical situation, fill time in the character’s lives with superfluous episodes; each shift of scene calls for new exposition, description, explanation. MK’s own imperative is “Janacekian”: to rid the novel of the automatism of novelistic technique, of novelistic verbalism; to make it dense.

‘Making a character “alive” means: getting to the bottom of his existential problem. Which in turn means: getting to the bottom of some situation, some motifs, even some words that shape him. Nothing more’. And MK goes on to share a valuable technique of Kafka, for aspiring authors...

“Because apprehending the real world is part of the definition of the novel: but how to both apprehend it and at the same time engage in an enchanting game of fantasy? How be rigorous in analyzing the world and at the same time be irresponsibly free at playful reveries. How to bring these two incompatible purposes together? Kafka managed to solve this enormous puzzle. He cut a breach in the wall of plausibility (Not in order to escape the real world – the way romantics did, but to apprehend it better); the breach through which many others followed him, each in his own way: Fellini, Marquez, Fuentes, Rushdie…  and other, others”

Theme – The Wisdom of the Novel
According to MK, “A theme is an existential inquiry. And increasingly I realize that such an inquiry is, finally, the examination of certain words, theme-words. Which leads me to emphasize: A novel is based primarily on certain fundamental words… In The Book of Laughter and Forgetting, the row (words) goes: Forgetting, Laughter, Angels, Litost, Border. Over the course of the novel, those five principal words are analyzed, studies, defined, redefined and thus transformed into categories of existence. The pillars of The Unbearable Lightness of Being: Weight, Lightness, soul, body, the grand march, shit, kitsch, compassion, vertigo, strength, weakness”.

Click here to read more..
“When Tolstoy sketched the first Draft of Anna Karenina, Anna was a most unsympathetic woman, and her tragic end was entirely deserved and justified. The final version of the novel is very different, but I (MK) do not think his moral ideas changed in the meantime; I would say, rather, that in the course of writing, he was listening to another voice that that of his personal moral conviction. He was listening to what I would like to call the wisdom of the novel. Every true novelist listens for that supra-personal wisdom, which explains why great novels are always a little more intelligent than their authors. Novelists who are more intelligent than their books should go into another line of work.

And in the End…
Milan Kundera (MK) gives some great tips on creating a master piece…

All great works (precisely because they are great) contain something un-achieved.

When you reach the end of a book you should still find it possible to remember the beginning. Otherwise the novel loses shape; its “architectonic clarity” is clouded.

Novelists who are more intelligent than their books should go into another line of work.

And the best thought … that I personally loved reading…
Every novel, like it or not, offers some answer to the question: What is human existence, and wherein does poetry lie?

Hope you have liked this Guide to Writing Novel... leave a comment, if you like, so that I can share more of my books and Help Guides... 
__
Shashi
नमः शिवाय
Om Namah Shivaya


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